The Hide
Boris Shershenkov
5. – 10. März 2021
Interaktive Sound Installation
Täglich ab 19.00 Uhr im Schaufenster des Kunstraumes
Field Processing –
Live Sound Performance: 5. März um 18.00 Uhr
Die Performance findet im Schaufenster des Kunstraumes statt und kann von aussen angeschaut werden.
Es gibt keine Vernissage.
Während ein paar Tagen wird der Kunstraum Dreiviertel zum Rückzugsort für die technoakustische Beobachtung der elektromagnetischen Kommunikation an der Monbijoustrasse. Die Lichtgesänge verschiedener Arten des öffentlichen Verkehrs sind zu schnell um mit dem menschlichen Auge wahrgenommen zu werden; sie teilen sich den zeitlichen Bereich mit dem hörbaren Schall und können mittels spezieller, im Kunstraum installierten, optischen Mikrofonen, Spiegelsystemen und Schallwandler gehört werden.
For several days the Dreiviertel art space will become a hide for the techno-bio-acoustical observation of electromagnetic communication at the Monbijoustrasse. Light songs of various species of public transport are too fast to be perceived with human eye, but they share the temporal domain with audible sound and could be heard by means of special optical microphones, mirror systems and transducers, installed in the gallery space.
Boris Shershenkov
artist-in-residency at the Residency.ch in PROGR, supported by Pro Helvetia www.prohelvetia.ch
Boris Shershenkov is a sound artist, PhD candidate and musical instrument designer from Vladivostok, currently lives and works in Saint-Petersburg, Russia. Shershenkov is focusing on projects that develop new methodologies in technological and sound art, he investigates the relationship between human and technology combining modern techniques with media archaeological research. Boris is engaged in various activities in the field of experimental music and sound art as the author of media installations and sound performances and curator of concert programs, exhibitions and educational projects. As a musician, he is actively working in the areas of live electronics and electroacoustic improvisation, both solo and in collaboration with Russian and foreign musicians. His works and instruments were presented at numerous collective exhibitions, festivals and concerts of experimental and electronic music in Russia and abroad.