window

a group video-sketch

to watch through the window of the art space Dreiviertel
and online

May 22 – May 31, 2020

One of the significant qualities of our little art space Dreiviertel in Bern is the big window. This window provides an access to the outside world and connecting global and local.

Since the beginning of the last year we have showed projects with artists and curators from Croatia, Turkey, Honduras, Netherlands, Germany, Italy, Kyrgyzstan, Egypt, France, Switzerland and Russia. We try to keep the intercultural bridge afloat in contributing to the diversity of the Bernese art scene. Although the current exhibition with spanish artist Pedro Déniz from the Canary Islands had to be postponed, we will use this window to give a voice to the artists from different parts of the world whom we were honored to collaborate with until now and hoping for more projects in the very near future.

Slowly we are returning to the analog world and inviting you to have a look through our window or right here:

PAMELA BREDA
(Venice, Italy)

ILYA FEDOTOV-FEDOROV
(Moscow, Russia)

ELISA BOLLAZZI
(Milano, Italy)

MARIA MOTYLEVA
(Republic of Adygea, Northern Caucasus, Russia)

USTINA YAKOVLEVA
(Moscow/Sochi, Russia)

NICOLAS WOLF
(Bern, Switzerland)

BERMET BORUBAEVA
(Bishkek, Kyrgyzstan)

and art students:
ASAN DZHUZBAEV
(Bishkek, Kyrgyzstan)

ALTYNAI ABDRAKHMANOVA
(Bishkek, Kyrgyzstan)

plus video-diary from 
LARISSA ARAZ
(Çeşme,Turkey)


Pedro Déniz

WHITE SHIRT

 

Die Ausstellung ist auf Juli 2020 verschoben!
The exhibition is postponed until July 2020!

More information will follow soon…

“A new panorama of “cold war” with false information and demonstration of forces. Therefore, the use of black and white flags that colonize the periphery of a body (the body as a metaphor for individual geography, also as a border) hidden behind a cape. The flags that remind us the images of historical documentaries, where all these symbols appear in black and white motivate me to use objects such as chair, table, barbed wire, music boxes manipulated and monochrome flags of different countries among other objects; to build a landscape made of pieces of historical and borderline realities”.

Pedro Déniz

Visual artist, 1964, Las Palmas de Gran Canaria, Canary Islands, Spain.
Pedro Déniz is experimenting across different media: installations, photography, video, cultivating the art of action or performance-art and visual poetry. Déniz started his career in the 90s and is nowadays a well known artist on the Canary Islands. His projects were presented at several Bienniales and festivals: Welcome, in the African Photography Biennial of Bamako, 5th edition (Mali, 2003); III Lanzarote Biennial (Art, landscape and tourism) with the Back-garden project. (Spain, 2005); Dakar Biennial (Senegal, 2006); XIII International Festival of Digital Arts and Cultures of Gran Canaria, Canariasmediafest, (Spain, 2008); 10th Biennial of Havana (Cuba, 2009).

His works are in public collections such as the University of Las Palmas de Gran Canaria (ULPGC), Spain. Atlantic Center of Modern Art (CAAM). Las Palmas de G.C. Spain. Space C, Camargo, Santander, Spain. Fundación MAPFRE GUANARTEME Collection, Canary Islands, Spain. Moleskine Foundation Collection, Milan, Italy.

www.pedrodeniz.com

Many thanks to Adela Picón for the support and help with organization!