Waiting for Giovanni Carmine

performance by

Manuel Gloor


Nachdem Manuel Gloor ein halbes Jahr Kunst studiert hat, will er nun auf Art Basel gezeigt werden und ladet den Kurator der Art Basel Unlimited ein, um ihm seine einzige Arbeit zu präsentieren.

Am 17. April von 9.00 bis 17.00h im Kunstraum Dreiviertel
Im Rahmen von ACT Performance Festival Bern

Die Live-Übertragung beginnt um 12.00 unter dem folgenden Link: act-perform.net
und über Instagram @pseudo_art_student

Working on a particular condition

Johanna Klingler


The exhibition will be open 13. and 14. March, 2 -5 pm
15. – 28. March by appointment

a sequence
a status
an image
an asset
a coin
an ID
a drug
a part of my body
a routine
a degree
a currency
a signature

  Johanna Klingler

is an artist and researcher based between Berlin, Munich and London. She is currently working on her PhD where she introduces the term “Emotional-Infrastructural Labour”. She is also a co-organizer of “Portal”, a platform for cultural exchange between the German speaking and the post-soviet area.

The Hide

Boris Shershenkov

5. – 10. März 2021
Interaktive Sound Installation
Täglich ab 19.00 Uhr im Schaufenster des Kunstraumes

Field Processing –
Live Sound Performance: 5. März um 18.00 Uhr

Die Performance findet im Schaufenster des Kunstraumes statt und kann von aussen angeschaut werden. 
Es gibt keine Vernissage.

Während ein paar Tagen wird der Kunstraum Dreiviertel zum Rückzugsort für die technoakustische Beobachtung der elektromagnetischen Kommunikation an der Monbijoustrasse. Die Lichtgesänge verschiedener Arten des öffentlichen Verkehrs sind zu schnell um mit dem menschlichen Auge wahrgenommen zu werden; sie teilen sich den zeitlichen Bereich mit dem hörbaren Schall und können mittels spezieller, im Kunstraum installierten, optischen Mikrofonen, Spiegelsystemen und Schallwandler gehört werden.

For several days the Dreiviertel art space will become a hide for the techno-bio-acoustical observation of electromagnetic communication at the Monbijoustrasse. Light songs of various species of public transport are too fast to be perceived with human eye, but they share the temporal domain with audible sound and could be heard by means of special optical microphones, mirror systems and transducers, installed in the gallery space. 

Boris Shershenkov


artist-in-residency at the Residency.ch in PROGR, supported by Pro Helvetia www.prohelvetia.ch

Boris Shershenkov is a sound artist, PhD candidate and musical instrument designer from Vladivostok, currently lives and works in Saint-Petersburg, Russia. Shershenkov is focusing on projects that develop new methodologies in technological and sound art, he investigates the relationship between human and technology combining modern techniques with media archaeological research. Boris is engaged in various activities in the field of experimental music and sound art as the author of media installations and sound performances and curator of concert programs, exhibitions and educational projects. As a musician, he is actively working in the areas of live electronics and electroacoustic improvisation, both solo and in collaboration with Russian and foreign musicians. His works and instruments were presented at numerous collective exhibitions, festivals and concerts of experimental and electronic music in Russia and abroad. 

Talía Falcón Nizarane

Havana, Cuba

Dokumentation einer Performance-Serie
“Cleaning Service”

2. – 20. Februar 2020, im Schaufenster Dreiviertel

Die kubanische Künstlerin Talía Falcón Nizarane befasst sich mit dem Thema der Isolation und dem Leben auf einer abgelegenen Insel in der Karibik. Während ihres kurzzeitigen Aufenthalts in Zürich blickte sie zurück in ihre Heimat.

“These performance series critically reflect on the political boundaries that delimit countries and territories, building up particular realities and living conditions for the people. Coming from an island and feeling often trapped and disconnected from the outside world, made me look at the water as a prison placed there by Nature itself to hold me back. The act of controlling and giving shape to this water empowers me as an individual and turns my action into a ritual. A lot can be said about the connotations of the act of cleaning: It is physical, manual labor related to the social class of an individual. Who cleans? Who does not clean? Women clean, poor people also clean…” Talía Falcón Nizarane


Der Kunstraum bleibt vorübergehend geschlossen. Das Video ist abends und die ganze Nacht hindurch im Schaufenster des Kunstraums zu sehen.

Transitorische Turbulenzen

Kuratiert von
Janine Stoll & Harald Kraemer

lotsremark projekte zu Gast bei Dreiviertel im Rahmen von Connected Space

Sena Başöz
George Steinmann

Joseph Leung
Herbert Starek
& historische Kataloge von
Marcel Broodthaers

6. – 25. November 2020

Ausgewählt von Janine Stoll & Harald Kraemer treffen konzeptuelle Werke aus dem Zeitraum 1968 bis 2020 aufeinander, die kritisch Systeme hinterfragen.

The installation begins with a time travel through the historical catalogs of the legendary Belgian artist Marcel Broodhaers; goes over to the complex and yet hardly comprehensible Mindmaps painted with blueberry juice by the Swiss artists and researcher George Steinmann in his photographs; Joseph Leung from Hong Kong shows the monumental national symbols of his country as fragile flowers disappearing in the wind; Austrian conceptualist Herbert Starek swims through the vague cartography of sounds and imaginary landscapes and finally Sena Başöz the artist from Istanbul is trying to catch the noisy unclear signals of present which are constantly being “erased”…

Dr. Janine Stoll – art historian, curator, dissertation about Marcel Broodthaers‘ main work La Salle Blanche, Basel

Dr. Harald Kraemer – professor at the City University of Hong Kong and head of the Programmes Curating Art & Media, Hong Kong


Sena Başöz senabasoz.info
Joseph Leung leungmongsum.com
George Steinmann george-steinmann.ch

Herbert Starek herbert-starek.com
& Marcel Broodthaers